The editing approach tends to interpret the connection between faces of people and faces of buildings built in Belgrade between World Wars in the Modern spirit.

I consider it a proof of the thesis that every designing process has or is supposed to have derived from the geometry and proportions of human body. This work is also dealing with a widely accepted stereotype that women are symbols of home, family, safety... just like these buildings.

The idea is to create an atmosphere like in the street, personifying facades to seem like moving, talking and looking at the spectator.

//INFACES, belgrade, 2002//

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